cooper hewitt museum chicago (15 résultats)

Paperback. Etat : new. Paperback. A playbook for creative thinking, created for contemporary students and practitioners working across the fields of graphic design, product design, service design and user experience. Design is Storytelling is a guide to thinking and making created for contemporary students and practitioners working across the fields of graphic design, product design, service design, and user experience. By grounding narrative concepts in fresh, concrete examples and demonstrations, this compelling book provides designers with tools and insights for shaping behaviour and engaging users. Compact, relevant and richly illustrated, the book is written with a sense of humour and a respect for the reader's time and intelligence. Design is Storytelling unpacks the elements of narrative into a fun and useful toolkit, bringing together principles from literary criticism, narratology, cognitive science, semiotics, phenomenology and critical theory to show how visual communication mobilizes instinctive biological processes as well as social norms and conventions. The book uses 250 illustrations to actively engage readers in the process of looking and understanding. This lively book shows how designers can use the principles of storytelling and visual thinking to create beautiful, surprising and effective outcomes. Although the book is full of practical advice for designers, it will also appeal to people more broadly involved in branding, marketing, business and communication. "Explores connections between storytelling and design, [examining] the psychology of visual communication from a narrative point of view"--Publisher's description. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Paperback. A playbook for creative thinking, created for contemporary students and practitioners working across the fields of graphic design, product design, service design and user experience.Design is Storytelling is a guide to thinking and making created for contemporary students and practitioners working across the fields of graphic design, product design, service design, and user experience. By grounding narrative concepts in fresh, concrete examples and demonstrations, this compelling book provides designers with tools and insights for shaping behaviour and engaging users. Compact, relevant and richly illustrated, the book is written with a sense of humour and a respect for the reader's time and intelligence. Design is Storytelling unpacks the elements of narrative into a fun and useful toolkit, bringing together principles from literary criticism, narratology, cognitive science, semiotics, phenomenology and critical theory to show how visual communication mobilizes instinctive biological processes as well as social norms and conventions. The book uses 250 illustrations to actively engage readers in the process of looking and understanding. This lively book shows how designers can use the principles of storytelling and visual thinking to create beautiful, surprising and effective outcomes. Although the book is full of practical advice for designers, it will also appeal to people more broadly involved in branding, marketing, business and communication. "Explores connections between storytelling and design, [examining] the psychology of visual communication from a narrative point of view"--Publisher's description. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Berthon, Magali (illustrateur). Paperback. The word grotesque was first coined at the end of the fifteenth century in Italy to describe a style of painting found in Ancient Roman ruins in which foliage intertwines and merges with human and animal forms. The re-discovery of these ruins was deeply influential to artists and designers. Through drawings and prints, grotesque motifs were disseminated as patterns for decoration in architecture, metalwork, textiles and ceramics. The fantastic nature of the grotesque enabled artists to incorporate imagery that pushed the boundaries of the known world. Within the confines of ornamental designs, artists turned elements from nature into otherworldly beings. Creatures, fearsome or playful, graceful or rigid, take their place in dense and sinuous designs for locks, ewers, rings, tapestries, stained glass and more. These intimately scaled works, often measuring just a few inches, are at times erotically charged and at others moralizing. Centuries later, these drawings and prints open a window to the imagination of artists and designers as the Age of Exploration unfolded around them. Discover hidden monsters and transform serpents, chimeras, dragons and gargoyles into otherworldly beings in this colouring book inspired by grotesque ornament prints from the 16th and 17th centuries. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. A playbook for creative thinking, created for contemporary students and practitioners working across the fields of graphic design, product design, service design and user experience. Design is Storytelling is a guide to thinking and making created for contemporary students and practitioners working across the fields of graphic design, product design, service design, and user experience. By grounding narrative concepts in fresh, concrete examples and demonstrations, this compelling book provides designers with tools and insights for shaping behaviour and engaging users. Compact, relevant and richly illustrated, the book is written with a sense of humour and a respect for the reader's time and intelligence. Design is Storytelling unpacks the elements of narrative into a fun and useful toolkit, bringing together principles from literary criticism, narratology, cognitive science, semiotics, phenomenology and critical theory to show how visual communication mobilizes instinctive biological processes as well as social norms and conventions. The book uses 250 illustrations to actively engage readers in the process of looking and understanding. This lively book shows how designers can use the principles of storytelling and visual thinking to create beautiful, surprising and effective outcomes. Although the book is full of practical advice for designers, it will also appeal to people more broadly involved in branding, marketing, business and communication. "Explores connections between storytelling and design, [examining] the psychology of visual communication from a narrative point of view"--Publisher's description. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. In September 2015 the world lost Phil Patton - prolific design writer, teacher and tantalizing wordsmith. Patton's insatiable curiosity, sense of humour and keen eye made for the most compelling reads. Whether he was chronicling design minutiae, quirky anecdotes or bizarre tales, Phil's hundreds of books, columns, articles and posts always delivered a new account. As his editor at i-D magazine, Chee Pearlman, said, 'His insight takes the reader beyond the object to an understanding of its broadest sociological context'. No topic eluded him, and for a large part of his 40-year career he championed automobiles, technology and product design. Roger Black, designer, writer and long-time colleague and friend of Patton's wrote, 'He taught the New York Times - by example - to cover design. The domino effect, the rest of the media followed.' With an introduction by Edward Tufte and foreword by Caroline Baumann, this volume compiles 40 selections representing the wide range of interests and fascinations that occupied his thoughts. Punctuated by images of ideas and lists from notebooks he carried everywhere, Top This and Other Parables of Design is an intimate and portable companion for those who choose to always have a witty, informed friend around. Published to coincide with a memorial for the late design writer Phil Patton, this is a compilation of 38 of his incisive and witty essays on design. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Berthon, Magali (illustrateur). Paperback. The word grotesque was first coined at the end of the fifteenth century in Italy to describe a style of painting found in Ancient Roman ruins in which foliage intertwines and merges with human and animal forms. The re-discovery of these ruins was deeply influential to artists and designers. Through drawings and prints, grotesque motifs were disseminated as patterns for decoration in architecture, metalwork, textiles and ceramics. The fantastic nature of the grotesque enabled artists to incorporate imagery that pushed the boundaries of the known world. Within the confines of ornamental designs, artists turned elements from nature into otherworldly beings. Creatures, fearsome or playful, graceful or rigid, take their place in dense and sinuous designs for locks, ewers, rings, tapestries, stained glass and more. These intimately scaled works, often measuring just a few inches, are at times erotically charged and at others moralizing. Centuries later, these drawings and prints open a window to the imagination of artists and designers as the Age of Exploration unfolded around them. Discover hidden monsters and transform serpents, chimeras, dragons and gargoyles into otherworldly beings in this colouring book inspired by grotesque ornament prints from the 16th and 17th centuries. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Etat : new. Paperback. In September 2015 the world lost Phil Patton - prolific design writer, teacher and tantalizing wordsmith. Patton's insatiable curiosity, sense of humour and keen eye made for the most compelling reads. Whether he was chronicling design minutiae, quirky anecdotes or bizarre tales, Phil's hundreds of books, columns, articles and posts always delivered a new account. As his editor at i-D magazine, Chee Pearlman, said, 'His insight takes the reader beyond the object to an understanding of its broadest sociological context'. No topic eluded him, and for a large part of his 40-year career he championed automobiles, technology and product design. Roger Black, designer, writer and long-time colleague and friend of Patton's wrote, 'He taught the New York Times - by example - to cover design. The domino effect, the rest of the media followed.' With an introduction by Edward Tufte and foreword by Caroline Baumann, this volume compiles 40 selections representing the wide range of interests and fascinations that occupied his thoughts. Punctuated by images of ideas and lists from notebooks he carried everywhere, Top This and Other Parables of Design is an intimate and portable companion for those who choose to always have a witty, informed friend around. Published to coincide with a memorial for the late design writer Phil Patton, this is a compilation of 38 of his incisive and witty essays on design. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : new. Hardcover. Tools, the catalogue for Cooper Hewitt's reopening exhibition, showcases objects from ten of the Smithsonian Institutions museums to explore how diverse cultures, time periods and multifarious activities provide a means of realizing design's critical role in understanding our world, and to examine how tools offer insights into scientific, technological, and cultural changes in societies. It shows the interconnectedness of scientist, designer, historian, anthropologist, engineer and artist through design-thinking and problemsolving while also revealing distinct perspectives and methodologies. A catalogue for Cooper Hewitts reopening exhibition, that showcases objects from ten of the Smithsonian Institutions museums. It shows the interconnectedness of scientist, designer, historian, anthropologist, engineer and artist through design-thinking and problemsolving while also revealing distinct perspectives and methodologies. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : new. Hardcover. Tools, the catalogue for Cooper Hewitt's reopening exhibition, showcases objects from ten of the Smithsonian Institutions museums to explore how diverse cultures, time periods and multifarious activities provide a means of realizing design's critical role in understanding our world, and to examine how tools offer insights into scientific, technological, and cultural changes in societies. It shows the interconnectedness of scientist, designer, historian, anthropologist, engineer and artist through design-thinking and problemsolving while also revealing distinct perspectives and methodologies. A catalogue for Cooper Hewitts reopening exhibition, that showcases objects from ten of the Smithsonian Institutions museums. It shows the interconnectedness of scientist, designer, historian, anthropologist, engineer and artist through design-thinking and problemsolving while also revealing distinct perspectives and methodologies. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Etat : new. Hardcover. Architecture of Health is a story about the design and life of hospitals-about how they are born and evolve, about the forces that give them shape, and the shifts that conspire to render them inadequate. Reading architecture through the history of hospitals is a deciphering tool for unlocking the elemental principles of architecture and the intractable laws of human and social conditions that architecture serves in each of our lives.This book encounters brilliant and visionary designers who were hospital architects but also systems designers, driven by the aim of social change. They faced the contradictions of health care in their time and found innovative ways to solve for specific medical dilemmas. Less-known designers like Filarete, Lluis Domenech i Montaner, Albert Schweitzer, Max Fry and Jane Drew, John Dawe Tetlow, Gordon Friesen, Thomas Wheeler, and Eberhard Zeidler are studied here, while the medical spaces of more widely-known architects like Isambard Brunel, Aalvar Aalto, Le Corbusier, Louis Kahn, and Paul Rudolph also help inform this history. All these characters were polymaths and provocateurs, but none quite summarizes this history more succinctly than Florence Nightingale, who in laying out her guidelines for ward design in 1859, shows how the design of a medical facility can influence an entire political and social order.Architecture of Health, richly illustrated with images and never before published renderings and drawings from the MASS Design Group, charts historical epidemics alongside modern and contemporary architectural transformations in service of medicine, health, and habitation; it explores how infrastructure facilitates healing and architecture's greater role in constructing our societies. Buildings can shape our lives, improve our health, and transform society. Academic histories of architecture and medicine overlook the importance of hospital design. This book shows how hospitals embody the social hierarchies of their time. Hospitals influence individual behavior, and they have the potential to advance human rights. To study hospitals is to unlock the laws of architecture Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Etat : new. Paperback. Beauty celebrates design objects and practices that are exuberant, ethereal, atmospheric, experiential, exceptional or sublime. Objects of beauty provoke immediate reactions and demand judgment - asking us to redefine what is lovely or grotesque, formed or malformed, virtuous or subversive. They exalt experience as a living, unfolding exchange between people and things. Beauty honours the voices of designers from 26 countries around the world by conducting original interviews about their works and processes - showing that aesthetic innovation can drive change, whether materially, structurally or ethically. Beauty is an object to be touched, smelled and savoured. Each of the book's seven sections is printed on a luxurious Japanese matte paper with its own fifth accent colour. A smaller signature of pages - printed on its own creamy pink paper at the centre of the book - is called the heart. It contains front and back matter and the responses from designers to the questions: What comes to mind when you hear the word beauty? What is the most beautiful time of day? What is the most beautiful place you've visited? The authors/edited selected the designers for the book and exhibition with a group of international curatorial advisors: Adelia Borges (Brazil), Claire Catterall (England), Kenya Hara (Japan), Mugendi M'Rithaa (South Africa), Sarah Scaturro (United States), Annemartine van Kesteren (Netherlands) and Suvi Saloniemi (Finland). Celebrates design objects and practices that are exuberant, ethereal, atmospheric, experiential, exceptional or sublime. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : new. Hardcover. An exploration of the ways in which designers are striving to transform our relationship with the natural world.Designers today are striving to transform our relationship with the natural world. While the modern industrial age gave way to designs that vastly improved human enterprise through technology, there were unintended and destructive consequences for the environment. Humans are intrinsically linked to nature yet our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. Designers are aligning with biologists, engineers, agriculturists, environmentalists and many other disciplines to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means.Nature: Collaborations in Design includes over sixty-five international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers' strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon, and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers. Published in conjunction with an exhibition at Cooper Hewitt, Smithsonian Design Museum and Cube Design Museum, May 10, 2019-January 20, 2020. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : new. Hardcover. An exploration of the ways in which designers are striving to transform our relationship with the natural world.Designers today are striving to transform our relationship with the natural world. While the modern industrial age gave way to designs that vastly improved human enterprise through technology, there were unintended and destructive consequences for the environment. Humans are intrinsically linked to nature yet our actions have frayed this relationship, forcing designers to think more intentionally and to consider the impact of every design decision, from an artifact's manufacture and use to its obsolescence. Designers are aligning with biologists, engineers, agriculturists, environmentalists and many other disciplines to design a more harmonious and regenerative future. Based on these new partnerships, designers are asking different questions and anticipating future challenges, which not only change the design process, but also what design means.Nature: Collaborations in Design includes over sixty-five international projects from the fields of architecture, product design, landscape design, fashion, interactive and communication design, and material research. More than 300 compelling and exquisite photographs, illustrations and content from data visualizations illustrate seven essays, which explain and explore designers' strategies around understanding, simulating, salvaging, facilitating, augmenting, remediating and nurturing nature. Four conversations between scientists and designers delve into topics related to synthetic biology, scientific versus design lexicon, and recent shifts in the meaning of nature with a glossary illuminating scientific, technological and theoretical concepts and processes invoked by the designers. Published in conjunction with an exhibition at Cooper Hewitt, Smithsonian Design Museum and Cube Design Museum, May 10, 2019-January 20, 2020. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Etat : new. Hardcover. Cooper Hewitt possesses one of the most diverse and comprehensive collections of design works in existence and is the only museum in the United States devoted exclusively to historic and contemporary design. Reopening in late 2014, the museum has undergone a transformative renovation. Its landmark home in the Andrew Carnegie Mansion offers an entirely new and interactive visitor experience resulting in 60 percent more gallery space. To mark the occasion, Cooper Hewitt is publishing an expansive book on its unparalleled collection, which consists of more than 210,000 objects from all over the world, spanning 30 centuries. Designed by Irma Boom, and a wonderful design object in itself at over 900 pages, the book expresses the museum's primary goal--to inspire people to see how design impacts their lives. Available in three different colors and printing with glow in the dark ink, the book embodies design process. This user-centered approach is reinforced throughout the pages with 54 narratives and an extensive process glossary that discusses individual objects through a design lens. Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and renowned designer Irma Boom, Making Design is organized entirely by Boom's visual sequencing of images; her design and the curators' essays weave parallel narratives throughout the book. This wildly playful and unexpected jaunt through the collection ends with Boom's exploration of her process, "Making Making Design," which embraces the essence design and the new experiences in Cooper Hewitt's galleries. Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and designer Irma Boom, this book is organized entirely by Boom's visual sequencing of images; her design and the curators' essays weave parallel narratives throughout. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : new. Hardcover. Cooper Hewitt possesses one of the most diverse and comprehensive collections of design works in existence and is the only museum in the United States devoted exclusively to historic and contemporary design. Reopening in late 2014, the museum has undergone a transformative renovation. Its landmark home in the Andrew Carnegie Mansion offers an entirely new and interactive visitor experience resulting in 60 percent more gallery space. To mark the occasion, Cooper Hewitt is publishing an expansive book on its unparalleled collection, which consists of more than 210,000 objects from all over the world, spanning 30 centuries. Designed by Irma Boom, and a wonderful design object in itself at over 900 pages, the book expresses the museum's primary goal--to inspire people to see how design impacts their lives. Available in three different colors and printing with glow in the dark ink, the book embodies design process. This user-centered approach is reinforced throughout the pages with 54 narratives and an extensive process glossary that discusses individual objects through a design lens. Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and renowned designer Irma Boom, Making Design is organized entirely by Boom's visual sequencing of images; her design and the curators' essays weave parallel narratives throughout the book. This wildly playful and unexpected jaunt through the collection ends with Boom's exploration of her process, "Making Making Design," which embraces the essence design and the new experiences in Cooper Hewitt's galleries. Featuring more than 1,100 collection objects selected by the curatorial staff, Smithsonian Design Library, and designer Irma Boom, this book is organized entirely by Boom's visual sequencing of images; her design and the curators' essays weave parallel narratives throughout. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.