Articles liés à Charles Rennie Mackintosh: 1868-1928
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Présentation de l'éditeur :
Glasgow Style: The life and work of Glasgow School pioneer, Charles Rennie Mackintosh
Scottish architect, designer, and painter Charles Rennie Mackintosh (1868 1928) was one of the earliest pioneers of modern architecture and design. While he never received major recognition in his hometown of Glasgow, his bold new blend of simplicity and poetic details inspired modernists across Europe.
Mackintosh s avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining a healthy dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.
Mackintosh s projects in Glasgow include the famous Willow Tearooms, the private residences Windyhill and The Hill House, and the Mackintosh Building at the Glasgow School of Art, widely considered his masterwork. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four ; the other two were Margaret s sister, Frances, and her husband, Herbert MacNair.
On the continent, this Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Mackintosh s practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe.
Présentation de l'éditeur :
Scottish architect, designer, and painter Charles Rennie Mackintosh (1868 1928) was one of the earliest pioneers of modern architecture and design. While he never received major recognition in his hometown of Glasgow, his bold new blend of simplicity and poetic details inspired modernists across Europe.
Mackintosh s avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining a healthy dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.
Mackintosh s projects in Glasgow include the famous Willow Tearooms, the private residences Windyhill and The Hill House, and the Mackintosh Building at the Glasgow School of Art, widely considered his masterwork. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four ; the other two were Margaret s sister, Frances, and her husband, Herbert MacNair.
On the continent, this Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear, yet lyrical, forms. In this introductory book, we take in Mackintosh s practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe.
El arquitecto, diseñador y pintor escocés Charles Rennie Mackintosh (1868-1928) fue uno de los pioneros de la arquitectura y el diseño modernos. Aunque nunca logró un gran reconocimiento en su ciudad natal, Glasgow, su nueva y atrevida mezcla de sencillez y detalles poéticos inspiró a modernistas de toda Europa.
El enfoque vanguardista de Mackintosh abarcó una gran variedad de medios y recursos estilísticos innovadores. Su obra multifacética incluyó la arquitectura, el mobiliario, el diseño gráfico, el paisajismo y los estudios florales. Se caracterizó por el uso de las líneas bien definidas, la elegancia en las proporciones y los motivos naturales, combinando una buena dosis de japonismo con una sensibilidad moderna por la funcionalidad. Prefería la tipografía en negrita, la contención de las formas y las ventanas altas y generosas que llenaran de luz las habitaciones.
Los proyectos de Mackintosh incluyen el famoso Willow Tea Rooms, las residencias privadas Windyhill y Hill House, y el Mackintosh Building en la Glasgow School of Art, considerada su obra maestra. Gran parte de su trabajo lo realizó en colaboración con su esposa, la también artista Margaret Macdonald. La pareja constituía la mitad del grupo de Glasgow conocido como The Four (Los cuatro); los otros dos eran la hermana de Margaret, Frances, y su marido, Herbert MacNair.
En el continente europeo, el Glasgow Style tuvo una gran aceptación. En Italia, Alemania y, en particular, en Austria, los artistas del art nouveau y de la secesión de Viena encontraron una gran inspiración en sus formas rectilíneas a la par que líricas. En este libro nos acercamos al trabajo de Mackintosh como artista, arquitecto y diseñador, y analizamos su particular combinación de estructuras rectangulares y delicadas curvas, así como su influencia en la expresión modernista en toda Europa.
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- ÉditeurEVERGREEN
- Date d'édition2017
- ISBN 10 3836561603
- ISBN 13 9783836561600
- ReliureRelié
- Nombre de pages95
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