The Institute: A Novel - Couverture rigide

The Institute 1

Half an hour after Tim Jamieson’s Delta flight was scheduled to leave Tampa for the bright lights and tall buildings of New York, it was still parked at the gate. When a Delta agent and a blond woman with a security badge hanging around her neck entered the cabin, there were unhappy, premonitory murmurings from the packed residents of economy class.

“May I have your attention, please!” the Delta guy called.

“How long’s the delay gonna be?” someone asked. “Don’t sugarcoat it.”

“The delay should be short, and the captain wants to assure you all that your flight will arrive approximately on time. We have a federal officer who needs to board, however, so we’ll need someone to give up his or her seat.”

A collective groan went up, and Tim saw several people unlimber their cell phones in case of trouble. There had been trouble in these situations before.

“Delta Air Lines is authorized to offer a free ticket to New York on the next outbound flight, which will be tomorrow morning at 6:45 AM—”

Another groan went up. Someone said, “Just shoot me.”

The functionary continued, undeterred. “You’ll be given a hotel voucher for tonight, plus four hundred dollars. It’s a good deal, folks. Who wants it?”

He had no takers. The security blond said nothing, only surveyed the crowded economy-class cabin with all-seeing but somehow lifeless eyes.

“Eight hundred,” the Delta guy said. “Plus the hotel voucher and the complimentary ticket.”

“Guy sounds like a quiz show host,” grunted a man in the row ahead of Tim’s.

There were still no takers.

“Fourteen hundred?”

And still none. Tim found this interesting but not entirely surprising. It wasn’t just because a six forty-five flight meant getting up before God, either. Most of his fellow economy-class passengers were family groups headed home after visiting various Florida attractions, couples sporting beachy-keen sunburns, and beefy, red-faced, pissed-off-looking guys who probably had business in the Big Apple worth considerably more than fourteen hundred bucks.

Someone far in the back called, “Throw in a Mustang convertible and a trip to Aruba for two, and you can have both our seats!” This sally provoked laughter. It didn’t sound terribly friendly.

The gate agent looked at the blond with the badge, but if he hoped for help there, he got none. She just continued her survey, nothing moving but her eyes. He sighed and said, “Sixteen hundred.”

Tim Jamieson suddenly decided he wanted to get the fuck off this plane and hitchhike north. Although such an idea had never so much as crossed his mind before this moment, he found he could imagine himself doing it, and with absolute clarity. There he was, standing on Highway 301 somewhere in the middle of Hernando County with his thumb out. It was hot, the lovebugs were swarming, there was a billboard advertising some slip-and-fall attorney, “Take It on the Run” was blaring from a boombox sitting on the concrete-block step of a nearby trailer where a shirtless man was washing his car, and eventually some Farmer John would come along and give him a ride in a pickup truck with stake sides, melons in the back, and a magnetic Jesus on the dashboard. The best part wouldn’t even be the cash money in his pocket. The best part would be standing out there by himself, miles from this sardine can with its warring smells of perfume, sweat, and hair spray.

The second-best part, however, would be squeezing the government tit for a few dollars more.

He stood up to his perfectly normal height (five-ten and a fraction), pushed his glasses up on his nose, and raised his hand. “Make it two thousand, sir, plus a cash refund of my ticket, and the seat is yours.”

“A big shank of a book that reminded me instantly of many of the reasons I loved (love?) [King]. His characters are the kind of people who hear the trains in the night. The music is always good. He swings low to the ground. He gets closer to the realities and attitudes of working-class life in America than any living writer I can think of.”
—Dwight Garner, The New York Times

"Throughout his long career, King has been committed to the bedrock notion that stories matter, that they help us understand both ourselves and the world we inhabit. The Institute, filled as it is with anger, sorrow, empathy and, yes, hope, reiterates that commitment with undiminished power. It is a first-rate entertainment that has something important to say. We all need to listen.”
—William Sheehan, The Washington Post

“As consummately honed and enthralling as the very best of [King’s]  work...How do you maintain your dignity and humanity in an environment designed to strip you of both? That theme, such an urgent one in literature from the 20th century onward, falls well within King’s usual purview...Of all the cosmic menaces that King’s heroes have battled, [the] slow creep into inhumanity may be the most terrifying yet, because it is all too real.”
—Laura Miller, The New York Times Book Review

“The Institute is another winner: creepy and touching and horrifyingly believable, all at once.”
—The Boston Globe

“This is King at his best.”
—The St. Louis Post-Dispatch

“Gripping... This is a thriller — and a good one, at that. There’s little in the way of King’s usual emphasis on the occult beyond the topic of psychic powers, which, according to surveys, as many as 40% of Americans believe are real. But there’s no shortage of monsters, that’s for sure. They just come in the coldblooded, end-justifies-the-means, laws-don’t-apply-to-us human variety. We have no trouble believing that those types of people are real. And they are plenty scary.”
—The Minneapolis Star Tribune

“Fans will draw parallels between Luke’s tight band of friends and the kids at the center of It, in which the Losers Club faces off against a murderous clown, but this is an entirely original story that can only come from the mind of a master teller like King.”
—The Florida Times Union

“King wows with the most gut-wrenching tale of kids triumphing over evil since It....Tapping into the minds of the young characters, King creates a sense of menace and intimacy that will have readers spellbound...Not a word is wasted in this meticulously crafted novel, which once again proves why King is the king of horror.”
—Publishers Weekly, STARRED review

"You don’t need to be a horror fan to read The Institute — or to have The Institute take over your life, since this is generally what happens with King’s novels...His storytelling transcends genre."
—Marion Winnick, Newsday

“Shocking suspense and hallmark thrills...The Institute offers a thrilling reading experience and rousing tribute to the resilience of children and the unending fight against evil.”
—G. Robert Frazier, BookPage