The Secret in Their Eyes - Couverture souple

“Beguiling... [A] complex and engaging narrative.” —Publishers Weekly 

“A brutal murder is the starting point for this strange, compelling journey through Argentina’s criminal-justice system... A view of the world as a dark place illuminated by personal loyalties.” —Kirkus Reviews

“Intriguing and often riveting...This book is primarily a murder mystery, but the focus on 1970s Argentina and the internal angst of the protagonist add layers of complexity. Highly recommended for readers with an interest in suspense, history, and the human psyche.” —Library Journal

“In straightforward prose, Sacheri builds a startling psychological mystery—about the secrets of a country corroded by state terror, and the secrets of a heart so suffocated that it cannot utter its simple, pure desire.” —Michael Greenberg, author of Beg, Borrow, Steal and Hurry Down Sunshine

"The Secret of Their Eyes...is a supremely accessible novel and a thrilling page-turner whose most nuanced tensions lie in the relationships between its structures and characters and the questions that these pose." —Fiction Writers Review

"The Secret in Their Eyes is a beautifully written novel, questioning what compels some people to act and what allows others to let life rush straight past until it is almost too late." —Lip Magazine

"[A] brilliant, psychological thriller...based on the past, yet a past that still reverberates so powerfully in the present." —The Arts Fuse

"Sacheri did something genius here: he wrote a book within a book...If you like mysteries and detective novels, this is definitely one to read." —Tulsa Books Examiner

"Sacheri slyly undermines our assumptions about the most fundamental human responses in a novel that is deeply political and profoundly compassionate." —Barnes & Noble Review

I’m not sure about my reasons for recounting the story of Ricardo Morales after so many years. I can say that what happened to him has always aroused an obscure fascination in me, as if the man’s fate, a life destroyed by tragedy and grief, provided me with a chance to reflect on my own worst fears. I’ve often caught myself feeling a certain guilty joy at the disasters of others, as if the fact that horrible things happened to other people meant that my own life would be exempt from such tragedies, as if I’d get a kind of safe-conduct based on some obtuse law of probability: If such and such a catastrophe befalls Joe Blow, then it’s unlikely that it will also strike Joe’s acquaintances, among whom I count myself. It’s not as though I can boast of a life filled with success, but when I compare my misfortunes with what Morales suffered, I come out well ahead. In any case, it’s not my story I want to tell, it’s Morales’s story, or Isidoro Gómez’s, which is the same story but seen from the other side, or seen upside down, or something like that.
   Although the morbid interest my subject arouses in me isn’t the only reason why I’m writing these pages, it carries some weight and plays some part. But mostly, I suppose, I’m telling the story because I have time to tell it. A lot of time, too much time, so much time that the daily trifles whose sum is my life quickly dissolve into the monotonous nothingness that surrounds me. Being retired is worse than I’d imagined. I should have known it would be. Not because of anything I knew about retirement, but because things we fear generally turn out
worse when they happen than when we imagined them.