The Suicide Run: Five Tales of the Marine Corps - Couverture rigide

Blankenship


Amid the smelly stretch of riptides and treacherous currents formed by the confluence of the upper East River and Long Island Sound stands a small low-lying island. Surmounted for most of its length by ancient prison buildings, it is an island hardly distinguishable, in its time-exhausted drabness, from those dozen or so other islands occupied by prisons and hospitals which give to the New York waterways such a bleak look of municipal necessity and—for some reason especially at twilight—that air of melancholy and erosion of the spirit. Yet something here compels a second glance. Something makes this island seem even excessively ugly, and a meaner and shabbier eyesore. Perhaps this is because of the island’s situation; for a prison island it just seems to be in too nice a place. It commands a fine wide view of the blue Sound to the east and the white houses on the mainland nearby—houses which, though situated in the Bronx, are so neat and scrubbed and summery-looking as to make New York City seem as remote as Nantucket. One passing by the island might more logically envision a pretty park here, or groves of trees, or a harbor for sailboats, than this squalid acre of prison buildings. Yet perhaps it’s the buildings themselves which make the place look more than ordinarily grim and depressing—so that the cleanly utilitarian, white marble structures on the other of the city’s islands seem, by comparison, almost beguiling sanctuaries. These date back nearly a century, soot-encrusted brick piles of turrets and fake moats and parapets and Victorian towers. With these, and with their crenellated battlements and lofty embrasures and all the sham artifices of fortressed power, the buildings possess a calculated, ridiculous ugliness, as if for someone locked within the walls they must add to the injury of simple confinement the diurnal insulting reminder—in every nook and cranny unavoidable and symbolic—of his incarceration.

Time has imparted little dignity to the place. Rain and soot and wind have weathered it, but the stain which they have printed upon those grandiose walls seems to have left no patina of mellowness, and has only made them more dirty. It would be a sad place to be. In any case, whichever makes the island so oppressive—the prospect, so close, of the clean white houses, or the prison’s appalling architecture—either, to anyone held captive there, would make the idea of freedom more precious. Precious enough, indeed, that a man might risk—given enough anguish, and enough fury—the mile of channel, and the extraordinary tides.

It so happened that during most of the last war the island and prison were in the possession of the United States Navy, which had leased the place from the city in order to lock up members of its personnel—sailors and marines and coast guardsmen—who had offended against the rules and regulations. These prisoners (although the population naturally fluctuated, it rarely went below two thousand men) were not major offenders. That is to say, they were not men who had murdered or committed treason or viciously assaulted an officer or committed any crime so dreadful that the total weight of naval wrath and justice had sunk mountainously about them and had swallowed them up for twenty years. But if these men had not been guilty of supreme crimes, they were not precisely minor offenders, either: they had thieved and raped and deserted and had been caught committing buggery and had been drunk or asleep, or both, while on duty and had been, almost to a man at one time or another, away without leave. They had all received courts-martial of some sort, and their average term of sentence was three and a half years. Yet, possessing neither the respectability of innocence nor the glamour of ruthless criminals, they shared a desperate, tribal feeling of inadequacy and were often victims, even within themselves, of sour contempt. No one displayed this contempt, however, with such cocky amusement as the marines who were on the island to guard them, and who called them simply “yardbirds.”

The prisoners were a sad lot, and the marines (there were two hundred of them, officers and men) ruled the island with a piratical swagger and a fine grip on the principles of intimidation. Few prisoners were ever beaten, for this in itself was a court-martial offense; but the history of bondage has shown that to slap a man about invites rebellion, while a tyranny of simple scorn cows the will and ulcerates the soul. Armed only with short billy clubs of hickory, the marines sauntered safe and serene and with a wisecracking arrogance among the fidgety horde, poking ribs and facetiously whacking behinds. The prisoners were gray with the grayness of men who seldom are exposed to light and suffer the sick, constant ache of loneliness. It was the peculiar grayness somehow stamped only upon the perpetually browbeaten—a lackluster and forlorn complexion, the hue of smoke. By day the prisoners worked—making rope in the rope shop, shoveling coal in the power plant, hauling gar- bage, sweeping and swabbing their barracks floors. Then there was an enormous siren, mounted atop a water tower. It was this machine, like an intransigent apocalyptic voice, which seemed to dominate the island and the proceedings of each day. Like an archangel’s horn, too, it was apt to blow at any hour. It had the impact of a smack across the mouth, and at its shocking, pitiless wail the prisoners fled galloping across the island like panicked sheep, egged on by the ma?rines’ rowdy cries. Shortly then, in front of their barracks (because always perhaps this morning one of them, in grief and desperation, had climbed down off the seawall), they were checked and counted one by one, standing in desolate ranks beneath the wide unbounded sky and the outrageous brick battlements and towers.

But if it was the enlisted marines who so mortified the prisoners, it was the officers on the island (there were twenty-five of them, seven marine officers in charge of the guard and the rest naval men: legal experts and administrative officers, doctors and dentists, chaplains to attend to the prisoners’ unmanned spirits, and a psychiatrist or two to adjust their often chaotic heads) who enjoyed sovereign and unchallengeable power, and to whom the prisoners accorded a cowering respect. At their approach the prisoners scrambled erect, removed their caps (being forbidden to salute), and stood in alarmed and rigid silence. Such were the rules, and thus even the meanest lieutenant might feel that same spinal thrill and hot flush of privilege that a cardinal must feel, or a general at parade, and sense chill little ecstasies of dominion. Yet of all these officers—including the marine colonel in charge of the island, and the ranks of brass beneath him—none was treated by the prisoners with such craven and flustered diffidence as a certain marine warrant officer named Charles R. Blankenship. This in a way was remarkable, for he was not a cruel or angry man.

Blankenship was in charge of the blockhouse, where the more violent and wicked prisoners were kept behind foot-thick doors and in ugly little cells. He was not a large man—indeed, he was of only average height—but there was a quality he had (perhaps the erect military carriage or the suppleness of his well-knit body, which was outlined always so cleanly because of the tailored cut of his uniform) that gave the impression of cool coordinated strength. Nor did he display this strength with any of the swagger or parade which sets off the toy soldier from the sober professional. His bearing, rather, was that of a man who has long ago outgrown any callow tendency to strut (had he ever possessed any at all) and wears pride in his uniform with an offhand confidence and conviction, like the suave self-assurance with which often some very beautiful woman, so long accustomed to stares and admiration, wears her beauty.

At this time Blankenship was a little over thirty years old. In the Marine Corps this is young for a warrant officer, who is usually a grizzled, fat old man who has struggled upward through the ranks to find himself, in his declining years, a kind of serene and crusty androgyne—no longer a member of the common mob yet not really an officer—who putters about in his flower beds or, slouched in potbellied salute at some twilight parade, is referred to with misty affection as “the old Gunner,” and in general receives the legendary and universal respect shown to wise old codgers. It was this fact more than anything—that even in a time of war (it was then 1944), when promotions were many, he could attain at thirty what for most marines took nearly a lifetime—that reinforced Blankenship’s pride in his rank and his achievement, and lent to his manner such solid assurance. It was not a swollen or presumptuous pride. It was simply the pride of one who is aware of his abilities and who feels respectably fulfilled upon having those abilities recognized, no matter how luckily expedited by the accident of war. Blankenship asked for little else. For, like many regular marines, he had never had any particular desire to become a commissioned officer—a captain or a colonel. For him it was enough to remain a good marine, no matter what the rank. He knew, too, that forced to revert, as would assuredly happen when the war ended, to his old rank, he would become a sergeant again—a good marine—without shirk or complaint or demur.

Now it developed that at dawn of a gray, blustery morning in November—almost five months to the day after his arrival on the island (and following two years of combat duty in the Pacific)—an event occurred which for the first time disrupted the orderly pattern of Blankenship’s daily routine. An escape, or what appeared to be one—the first in nearly a year—had been discovered by one of the guards as he made his regular rounds through...

'This book will be welcomed by admirers of Styron's work' Times Literary Supplement

The five personal and intensely powerful tales that make up this collection draw upon William Styron's real-life experiences in the US Marine Corps, and give us an insight into the early life of one of America's greatest modern writers.

The stories are set in the gruelling camps and sweltering training fields which mark the limbo point between civilian life and the horrors of war. The stories tell of young men embarking on suicidal 1000 mile roundtrips to New York to see their girlfriends on 36 hour leave periods; the surreal experience of being conscripted for a second time to serve in the Korean War; and the frustration and isolation of returning home when service is over.

The Suicide Run brings to life the drama, inhumanity, absurdity and heroism that forever changed the men who served in the Marine Corps.

'In his elegant, sometimes ornate, prose, Styron balances a loathing of military life with a respect for the human nobility it grants the most unlikely candidates' Daily Telegraph

'Crackles with youthful virtuosity' Sunday Express

'What intrigues here is the way all soldiers, whether or not they ever see combat, still live with the notion: I am expendable cannon fodder. And that sort of existential knowledge makes even the toughest Marine pause for thought' Independent