Ghost Train to the Eastern Star: On the Tracks of 'The Great Railway Bazaar' - Couverture rigide

Long after I took the trip I wrote about in The Great Railway Bazaar I went on thinking how I’d gone overland, changing trains across Asia, improvising my trip, rubbing against the world. And reflecting on what I’d seen – the way the unrevisited past is always looping in your dreams. Memory is a ghost train too. Ages later, you still ponder the beautiful face you once glimpsed in a distant country. Or the sight of a noble tree, or a country road, or a happy table in a café, or some angry boys armed with rusty spears shrieking, “Run you life, dim-dim!” – or the sound of a train at night, striking that precise musical note of train whistles, a diminished third, into the darkness, as you lie in the train, moving through the world as travelers do, “inside the whale.”

Thirty-three years went by. I was then twice as old as the person who had ridden those trains, most of them pulled by steam locomotives, boiling across the hinterland of Turkey and India. I loved the symmetry in the time difference. Time passing had become something serious to me, embodied in the process of my growing old. As a young man I regarded the earth as a fixed and trustworthy thing that would see me into my old age; but older, I began to understand transformation as a natural law, something emotional in an undependable world that was visibly spoiled. It is only with age that you acquire the gift to evaluate decay, the epiphany of Wordsworth, the wisdom of wabi-sabi: nothing is perfect, nothing is complete, nothing lasts. . . .

Traveling into the darkness of a late-winter evening, knowing that I would be waking up in Vienna only to change trains, I felt that my trip had actually begun, that everything that had happened until now was merely a prelude. What intensified this feeling was the sight of the sodden, deep green meadows, the shadowy river, the bare trees, a chilly feeling of foreignness, and the sense that I had no clear idea where I was but only the knowledge that late tonight we would be passing through Strasbourg on the German border and tomorrow morning we’d be in Austria, and around noon in Budapest, where I’d catch another train. The rhythm of these clanging rails and the routine of changing trains would lead me into central Asia, since it was just a sequence of railway journeys from here to Tashkent in Uzbekistan.

A lovely feeling warmed me, the true laziness of the long-distance traveler. There was no other place I wished to be than right here in the corner seat, slightly tipsy from the wine and full of bouillabaisse, the rain lashing the window.

I did not know it then, of course, but I would be traveling through rain and wind all the way through Turkey, on the Black Sea coast, through Georgia, and as far as Azerbaijan on the Caspian Sea, and would not be warm – would be wearing a woolly sweater and a thick jacket – until I was in the middle of Turkmenistan, among praying Turkmen, mortifying themselves and performing the dusty ritual of waterless ablutions, called tayammum, also on a train, but a dirty and loudly clattering one, in the Karakum Desert, where it never rained.
From the Hardcover edition.

Paul Theroux's Ghost Train to the Eastern Star is a journey from London to Asia by train. Thirty years ago Paul Theroux left London and travelled across Asia and back again by train. His account of the journey - The Great Railway Bazaar - was a landmark book and made his name as the foremost travel writer of his generation. Now Theroux makes the trip all over again. Through Eastern Europe, India and Asia to discover the changes that have swept the continents, and also to learn what an old man will make of a young man's journey. Ghost Train to the Eastern Star is a brilliant chronicle of change and an exploration of how travel is 'the saddest of pleasures'.'A dazzler, giving us the highs and lows of his journey and tenderness and acerbic humour . . . fellow-travelling weirdoes, amateur taxi drivers, bar-girls and long-suffering locals are brought vividly to life' Spectator'Fans of Theroux are not likely to be disappointed. Theroux has great descriptive skill . . . the world is slightly less unknown by virtue of reading the book' Sunday Telegraph'Relaxed, curious, confident, surprisingly tender. Theroux's writing has an immediate, vivid and cursory quality that gives it a collective strength' Sunday Times'A brilliant eye, readable and vivid. Theroux has still got it' Observer'Fascinating, a joy to read' TatlerPaul Theroux's books include Dark Star Safari, Ghost Train to the Eastern Star, Riding the Iron Rooster, The Great Railway Bazaar, The Elephanta Suite, A Dead Hand, The Tao of Travel and The Lower River. The Mosquito Coast and Dr Slaughter have both been made into successful films. Paul Theroux divides his time between Cape Cod and the Hawaiian islands.