The Black Tulip - Couverture souple

Alexandre Dumas's novels are notable for their suspense and excitement, their foul deeds, hairsbreadth escapes, and glorious victories. In The Black Tulip (1850), the shortest of Dumas's most famous tales, the real hero is no Musketeer, but a flower. The novel - a deceptively simple story - is set in Holland in 1672, and weaves the historical events surrounding the brutal murder of John de Witte and his brother Cornelius into a tale of romantic love. The novel is also a timeless political allegory in which Dumas, drawing on the violence and crimes of history, makes his case against tyranny and puts all his energies into creating a symbol of justice and tolerance: the fateful tulipa negra. This new edition reprints the first, classic English translation. David Coward sets the novel in the context of its author's life, the turbulent history of the Dutch Republic, and the amazing `tulipmania' of the seventeenth century which brought wealth to some and ruin to many. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cornelius von Baerle, a respectable tulip-grower, lives only to cultivate the elusive black tulip and win a magnificent prize for its creation. But after his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in deadly political intrigue and is falsely accused of high treason by a bitter rival. Condemned to life imprisonment, his only comfort is Rosa, the jailer's beautiful daughter, and together they concoct a plan to grow the black tulip in secret. Dumas' last major historical novel is a tale of romantic love, jealousy and obsession, interweaving historical events surrounding the brutal murders of two Dutch statesman in 1672 with the phenomenon of tulipomania that gripped seventeenth-century Holland. This new translation follows the unabridged edition of 1865 and includes a chronology and list of further reading. In his introduction, Robin Buss discusses Dumas' use of elements from the history of the Dutch Republic, tulipomania and the paintings of the period, and places the novel in the context of Dumas' life and career.